Further definition of the genre is historically difficult. The construction of the archives, the plot, the way reality is created in the deeds of fiction, the fascination of the character study, and the use of language are unremarkably discussed to show a novels artistic merits. Most of these requirements were introduced in the sixteenth and 17th centuries in rig to give fiction a justification outside the field of factual level. The individualism of the creation makes the personal memoir and the autobiography the ii closest relatives among the genres of modern histories.
The sham narrative, the novels distinct literary prose, specific media requirements (the use of typography and print), a characteristic subject matter that creates both link and a typical epic depth can be seen as features that developed with the Western (and modern) market of fiction. The separation of a field of histories from a field of literary fiction supply the evolution of these features in the last 400 years.
] A fictional narrative
Fictionality and the presentation in a narrative are the two features most commonly invoked to distinguish novels from histories. In a historical perspective they are problematic criteria. Histories were supposed to be narrative projects throughout the early modern period. Their authors could include inventions as long as they were rooted in traditional knowledge or in order to orchestrate a certain passage. Historians would thus invent and compose speeches for didactic purposes. Novels can, on the other hand, account the social, political, and personal realities of a place and period with a uncloudedness and detail historians would not dare to explore.
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