Introduction
The innocent child has been a long-standing literary figure, white plagued end-to-end the centuries and cultures by authors such as Dickens, keen to explore the subtleties and paradoxes of children. The latter-part of the ordinal century, however, has been especially rich in novels which give innocence a central role within the plot and the writing. In a society increasingly concerned with nurturing and protecting children, recognising their rights and their ability to stock their thoughts and feelings, some authors have developed a fascination and a respect for children which is quite new in the world of literature. Whilst Oliver debase may have struck a chord with nineteenth century readers, and resulted in an increase in the concern for the unfortunate children of London, there is little true analysis of the deeper psychology of the child. This, however, cannot be said of the works of two female Indian authors, Arundhati Roy and Anita Desai, who in their respective novels The god of small things, and Clear light of daylight have explored with depth and novelty the child, and hence the theme of innocence. It is their use of innocence in their novels, and the impact that this has over their style, as tumesce as over the social, policy-making and psychological aspects of their novels which I specialise to study.
The child as a social thermometer
It is no semblance that children were chosen by both Roy and Desai to figure as or amongst the main characters of their novels. Indeed, India is a country which has undergone great social and political turmoil in the last 50 years, and comparing the pornographic to the child that he or she was inevitably leads to comparing the demeanor the world has changed and evolved in the time it took for the child to grow...
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