The Death of the Author (1968) In this work Barthes frees the literary school textual matter from either claims of unity that might have been thinkable by a reference to what the author intended. The text is so non produced by the author but rather by the endorser. It is linguistic communication that very speaks, non the author. To write is to allow language to perform, not me. This allows the fadeless free play of meaning From Work to text edition (1971) In this work Barthes suggests a difference between the traditional whim of work and his protest notion of text. Work can be seen in libraries, text is experience in the activity of production. Text places itself behind general opinion, refusing to be expressage by societal norms. Text, as indicateifier, is not the first re-create of meaning. It practices the infinite recess of the signified. It is structured, like language, but off-centered. Text is plural. As no sign is pure, the text exists through its difference. Work is fathered by an author, text is not haunted by this process of filiation.
Authors biography, for example, is merely another text to be read. It is the language which speaks in the text, not the author. Text becomes writable when the reader is asked to work in making it. As such, text offers entertainment/jouissance as a space for social utopia that transcends social dealing (author, reader, critic) and language relations (no language has a hold everyplace any other) If you sine qua non to get a full essay, consecrate it on our website:
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