Michel Chevalier, in his Letters from America (1839) defined individualism as a revolutionary force which liberated societies from the authorities⦠[individualism is] capable of creating bare-assed forms of social life through individual self design (Llobera 67). In the 1950s, The American cinema produced a sequence of attainment fiction plastic films that generally revolved around and reflected significant political, ethnical and social concerning plots. These films presented incredible events that usually were the result of nuclear radiation, alienate invasions, mutation, and body snatching influences. In addition to the film plots, special personal effects were added to complete the cinematic experience. The film, Invasion of the Body Snatchers, suggested an individuals reconditeness in a complex, modern world. Beneath the unimportance was the political concern of conformity and loss of individuality among the residents of Santa Mira, California. Invasion of the Body Snatchers illustrates the difference between Americas hitting of Individualism and the collective culture of conformity.
Although Invasion of the Body Snatchers did not intend to become an allegory of political work harmonise to director Don Siegel, it is evident that through specific instances, the film became a symbolic contrast of individualism and collectivism.
The office view between protagonist, Miles Bennell and former girlfriend Becky Driscoll occurs as they are escaping the codfish people, launching the chase sequence. As Miles and Becky hide themselves in a doctors office, Miles goes into a moralistic speech almost the pod people. In this instance, the pod ideology is revealed and ultimate aspiration of conformity is discovered; to convert the residents of Santa Mira for a collective, classless, Communist-like society as well as to promote the purpose to suppress individuality, to delineate life easier. In reality, this scene is a symbolic pair to...If you want to get a full essay, order it on our website: Orderessay
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