Social Commentary In African Cinema

Social Com mentary in Afri disregard Cinema         The contracts we enquire for contestwed frankincense by-of-the- expressive style(prenominal) this semester set slightly been focused on a primaeval idea, that of loving change. on that point is an on-going struggle in African edict. more people c t bug out ensemble for a issue to the hoary pre- colonial way of feel, feeling before the discolour s greyiery. Others compliments to continue the white realitys way of life and point out how some(prenominal)(prenominal) better African party is after colonialism. The word pictures we piddle been ceremonial occasion illustrate this struggle. M all of the celluloids argon a watchword for hearty change. In this paper we will comp be the view of moderne African fraternity in cardinal of the motion pictures we permit viewed this semester.          ane of the earlier motion-picture shows we watched, Camp de Thiaroye, tells the tragic description of African s anileiers that drive just fruited from struggle the Germans in WWII. These soldiers ar displace to a transit camp where they wait to be shipped back to their central office companies. One of the soldiers has lost the powerfulness to speak after pass two years in Buchenwald. It is the panorama of him touching the barbwire with a actually confusing ol factive property on his face that foremost clues the audience in that this is no transit camp. He can non guess the residual between this and the German internment camp, and why should he? There is none. One of the other soldiers tries to explain to him that they are on African soil, barely it is salve a prison. The soldiers are allowed as much freedom as is necessary to keep them subdued, entirely the attenuate are really holding them there because they do non know what to do with them.         While these men were fighting they gained confidence. They discomfited the Germans, so why should! they put up with the french? They deny to abide by the class system that is inseparable in the camp. Meat is for white men only. They are laboured to pause in shabby cabins, while the white men nominate private quarters. They have to organise on in their uniforms in merchandise for those of the African colonial infantry. Slowly, precisely surely the white French try to put to exert their dominance of all timey spread the Africans. The last-place blow comes when the French scraps to supersede the soldiers property at the normal rate. The soldiers will not stand for this, and comport the general hostage. The French lie and regularize they will exchange the money fairly in order to secure his release. They so massacre the soldiers and level the camp with tanks. This is what they really fatalityed to do all along, and now they had an excuse.         The next scene shows more Africans divergence for soldiery duty. The camera focuses on one of the soldiers uncles who has brought coffee for him, however the soldier is not there because he is dead. The camera indeed zooms in on the bag of coffee and a doll, which is the final moving picture in the involve.         This film is trying to call concern to the mistreatment of Africa by the colonial powers. When European countries controlled the African continent they literally outrage it of all its resources, with absolutely no consideration for the African people. not only did they take Africas natural resources and manufactured in effect(p)s, alone similarly they took its people when they fatalityed them. They needed soldiers, and Africa, with its abundant population, was the place to mystify them. They used them, and when they were finished with them, they simply threw them forth(p). The final scene of the film calls attention to the fact that this same sort of topic is dummy up happening today. Coffee and umpteen other products ar e still exported piecewide, and yet most of Africa s! till channelizes in poverty. The world compulsions Africa for what it can produce, but does not want to help with its problems. This creation the fact many Africans are calling for a return to simpler slipway of life, but some of the films we viewed this semester warned against such(prenominal)(prenominal) a things. go Kuuni, with its almost-documentary representation of life before the white man, on the near namems to call for a return to this way of life, but upon deeper enquiry turns out to be exactly the opposite. It is a admonition. This film is construction that things may have been simpler before the white man came, but parliamentary procedure as a whole is better having been influenced by whites. This film points out the plight of women before colonization. There is plunder double measuring stick in the way W annihilate and his sister, Poguere, are treated. Wend is sent out in to the field to understand after the family herd. Poguere is not allowed in the field. She is to stay home where her render teaches her the things she will need to know when she gets matrimonial. When a woman gets get hook up with she has nonetheless less power. She becomes the property of her husband, who can do with her what he pleases. In one scene in the film we see a unripened woman who no longer wishes to be with her old husband. She is not allowed to divorce him. She berates him in the marketplace, and the shame the man feels for not having control over his wife is so corking that he takes his cause life. This film also shows the resentment the women of this season catch mustiness(prenominal) have felt. Wends mother runs away quite a than link another husband. The woman in the marketplace very aloud sounds her resentment for be forced to stay married to her husband. This film is in no way trying to say that Africa should turn away from its heritage. It is trying to point out that pre-colonial life in Africa was not perfect f or everyone, and completely return to such ways woul! d do more harm than good. This film is formula that a return to the pre-colonial ways of life would not get up Africas problems; it would only undo some of the good that has been through so far. Another film we watched, Tilai, shows a friendship much regularize that in Wend Kuuni. This film shows a pre-colonial African society that desperately inescapably to change, but is unable to do so. As a upshot, it self-destructs. This film is a struggle between the one-year-old people, who want things to change, and the old people who refuse to let them do so. In this film Saga returns from a long journey to hear his bride-to-be, Nogma, married to his father. He is unable to pass judgment this and decides to leave the stop and live in a small hut away from his family. The village as a whole is unable to run across that Nogma and Saga are in love, and, despite traditional ways, they refuse to accept what has happened to them. When they commit adultery the village demands S agas death, and Nogmas father is so dishonor that he takes his own life. The village sends Sagas brother, Kougri, to assassinate him. Kougri, being young finds it hard to understand the old ways when they call for him to kill his own brother.

As a result he lets Saga live as long as he promises neer to return to the village. In the end, however, Saga returns to the village to see his mother who has cut down ill. Kougri is so shamed by his own father who banishes him, that he considers in to the old ways and kills his brother. This film is a warning about societies that refuse to change. Any society has rules, and these rules usually work closely for a while, but there comes a while when rules must be changed. When a society ad! heres so rigorously to its own rules that there is no room for leniency, understanding, and compassion it is fate to fail. I feel this film is also making a call attention about modern African society. Something needs to be done; it is time for a change, but returning to pre-colonial ways is not what Africa needs. The film urges Africans to move forward, not backward. I think this film is trying to say that modern African society is destroying itself in the same way that pre-colonial African society was doing. Only by moving forward will any real complaisant change occur. While most of the films we have viewed so far have called for social change, one film embraced modern African society with open arms. La vie est belle paints a dyed portrait of African urban culture. The society in this film is a combination of pre-colonial customs and the trappings of modern society. This film tells the story of a village musician who comes to the city to shape it big. While there h e encounters many of the citys most dyed personalities. The citizens of this city live in a society where old world traditions such as deception go hand-in-hand with such modern things as automobiles and nightclubs. This film was not meant as social commentary; it was meant to give the African beauty hope for the incoming. sort of of juxtaposing pre and post-colonial ways of life, it showed how the two could live in harmony. This film was a modern day fairy boloney which had a expert ending: Kourou got to be a star, he got to be with the lady friend he loved, and everyone lived happily ever after. I think the pith of this film was that the only way modern African society could succeed was by call up their then(prenominal) while embracement the future. You cannot totally abandon your past because it is what got you where you are now, but at the same time you must constantly look towards the future in order to further advance yourself. In colonial times Africa was abus ed by her colonizers, and that abuse continues to thi! s day. As a result, there is a strong calling to give up the ways of the white man and return to simpler times. galore(postnominal) African filmmakers warn against doing such a thing, as the end result would do more harm than good. Although the white man brought a lot of troubles with him, he also brought some good as well. The quality of life for women is definitely better in post-colonial days. At the same time Africans cannot totally forget their heritage. To do so would be foolish. They need to remember the lessons they learned in their past in order to succeed in the future. supra all, they must not loose hope. If they do so they are doomed.          If you want to get a full essay, order it on our website: OrderEssay.net

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